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Do we
love the one
we want
to be like
or be
like the one
we
want to love
my own
first flush
was a
kind of suffocation
a
survival mechanism
if I
could only turn and run
but
why would I ever want
to do
that unnatural a thing
and
yet I did I thought
not so
much that love
would
kill me as it did
but
never thought
I
would survive
The
year after they broke up
the house
stood empty
and
cold all winter but
in the
spring their yard
exploded
with wildflowers
he had
sown as a surprise
the
fall before the living
proof
of love seeped out
into
the ground somehow
hard
gem-like seeds of
mountain-colored
flowers
love’s
dazzling display
when
love is gone
Whatever
I was thinking
became
the wild card
the
secret I was keeping
like
the captive tied
to the
chair complies
and
then defies his torturer
I
spilled my hairy guts
in such
confusing costumes
dynasties
of disinformation
were
swept screaming out to sea
still
my secret sleeps with me
was I
not myself and free
I
would not say the mystery
of my love
I held
whatever
I was thinking
You
could say at one time
there
were two green vines
neck-and-neck
along a trellis
or you
could look and see
two
lovers long past thirty
necking
on a terrace
or you
could look away
and feel
that I was
fucking
you in Paris
at one
time you couldn’t
even say
that in a poem
even
if we were never
in
fucking Paris fucking
or
weren’t we ever
weren’t
we
No no
renounce it all
be like
the mineral
to the
plant the plant
to the
animal neither
laughing
nor weeping
the libraries
of your love
take up
so much room
there’s
nothing left for you
yes
yes make the great
renunciation
the complete
surrender
loving someone
for
his own sake as required
by the
ancient mysteries
or
childhood’s secret cults
be
like the vacated shell
of a
clinging mollusk
clinging
no more
When
did the voice of a god
become
the voice of a pedestrian
hollering
in the street while
retaining
its divine right
to human
relevance and rigor
what a
long and largely forgotten
series
of barely ransomed events
ensue
when you’re just standing
or
walking around some cities
but if
what you make of poetry
is a
career like science and religion
you destroy
the very essence of its
original
impulse to bring to this world
from
some better if not clearer place
what
only a heart can say
A bowl
of brown leaves
a breeze’s
breakfast
at the
end of the yard
no
need for legs
just
flap your arms
the
sun’s in my lap
but my
back is freezing
twice
a day whether
I notice
or not I’m
re-born
for a minute
a
music starts up
that’s
my cue
then
fades away
one
more word
gets
forgotten
sleeps
waiting
to be
recalled
If it
all goes to the same place
Wystan
was wrong about suffering
in the
sense that death
is
also only transitional
in a
world of appearances
like
plowing a field or
tightening
the rigging
in the
sails of our ships
snapping
in the harbor
we
project our indifference
on the
world in order to reject it
but
why should death impress us
when
all the tenderness of life
is in
the moment moving on
You bring
me word sleepless
of some
medieval disputation
lumbering
self-important uninsightful
not
you the dispute
don’t
confuse with punctuation
the
penetration when you take
something
and do something to it
out of
all the obstacles
to
love in the world
and
then do something else to it
set up
an opposite attraction
then
the resolution of lances
coming
over the wall won’t seem
like
shy bullets after all
Writing
to you is my way
of facing
death which
otherwise
would have to
climb
in through the window
like
some unscheduled
chance
encounter thirty-
eight
light years later
just doing
its regular thing
though
I still do think of you
though
I’ve forgotten your name
your
last name I mean though not
the
nameless nights and whole
days we
successfully resisted
our
relentless attraction
to one
another which
I still
cannot forgive
To be
honest it was the colors
of the
neckties the President
the
Vice President and the Speaker
were
wearing that struck me most
about
the SOTU speech last night
lavender
medium blue and peach
respectively
which if you watched
in
living color lent it all a kind of
Disneyesque
Easter-like allure
to the
point that it interfered with
following
what the President
was actually
saying what that
lonely
man was hoping for now
What’s
creepy about poetry
besides
a certain affable viscosity
(or hyperthyroidal
pomposity)
that
makes you turn your head
to the
left and cough and now
to the
right and cough again
all because
of some intense friendship
between
words borrowed from
an
over civilization taken by the throat
that
makes you want to harken
to its
mawkish calls for closer introspection
slipping
you the mickey as my father
another
distant druid might have said
or mumbled
to himself slipping back
to
sleep under his broken cromlech
Yes
out of dead matter
the seed
is unensorcelled
but
what does that translate to
for my
old neighbor who runs
an
auto repair out of his garage
unless
you mean the pot
he
raises in his basement
Guantanamos
of the mind
great
seeds like Weil and Woolf
crushed
by their temperaments
struggling
not to make
of the
spirit an iron fist
or of the
body another fake
who's never been kissed
I like
to begin
with some
anomaly
from
nature for example
a
single mourning dove
landing
in the leafless
chaste
tree I’m not
making
this up this hardly
ever
happens I know
and
yet such ideograms
are now
everywhere expanding
apparently
scrawled by gods
visible
and invisible around us
love
itself settling deeper
in us
like a sea
You
could take your eye out
with
such a sharp heart
you
could take your heart out
with
such a sharp eye
love
is a warning
or
should come with one
with the
first caution
we get
stranded
in
some airport lobby
making
love for days for nights
but after
the second reminder
there
is no other
and we
realize too late
it’s
become the whole world
Today
the problem isn’t slavery
it’s the
slave wages - it’s not
the ‘illegals’
who are the problem
it’s the
greedy employers
but not
just the employers
it’s mainly
us demanding
cheap fruit
and vegetables
wanting
our floors and
toilets
cleaned for nothing
it’s
us pretending we’re
really
not taking advantage
of
those who come to us now
with
the same aching needs
our own
great grandparents
carried
in their cardboard suitcases
their strange
names and
incomprehensible
laughter
getting
off the boat
from
nowhere years ago
it’s
mainly us who still support
the
pathologies of wealth
and
power that’s the problem
So
fast through slow
rain the
hummingbird
stays dry
nearly
intermittently
in my life
I
catch myself expecting
something
amazing to happen
that
will clarify everything
a
Eureka deja-vu moment
where
I remember the key
that
opens the text but then
something
else happens
things move on par example
have
you listened to
Dumbarton
Oaks lately
what an excellent cabinet-maker
Stravinsky
who seemed
frightening
to me as a boy
Downloading
updates of days
formerly
the work of history
the
dream of it working
in the
world but when
I
looked up a small cloud
in the
shape of a rampant lion
with
the hind-end of a rabbit
winked
at me I tell you
on the
one hand a dead-pan
belief
in the physical world
of the
senses and on the other
no
reality but in ideas and a
consciousness fit to behold them
Morning
sunlight filters
through
the frozen brown leaves
of the
twenty year old ficus tree
dappling
just enough shade
and
light for me to sit behind
stay
warm and write to you
my
heart my filtered heart
my
list of things to bring
with
us into the bodiless world
when we
return this time
not to
be fooled again
not
ever to be fooled again
but to
see it all quite clearly
Who
wouldn’t prefer
a ruby
throat
but it’s
not that
easy
is it glinting
in the
sun on the top
branch
of your construction
you
have your fragrance
destinations
the No
yelled
in the alley
and
always watching
that
other one
inside
you
trying
to turn
everything
to shit
Today
I’ll cut
my hair
and
then the
grass
and go
shopping
we need
charcoal
for
that
steak
you
stole
no wait
that
was in
the
sixties when
you were
living
in New
York
and I
was
a monk
singing
in
Missouri
It may
be we are truly pretending
to pay
attention to one another
it can
be a lot of work to look into
someone
else’s life you can only
enter
another body as yourself lost
inside
them but then what use are we
to
anyone without these intimacies
these
exaltations struggled through
mostly
I feel we spend our lives
running
away from our life
as if
we thought it would kill us
when it's really the only thing
that
keeps us completely in mind
or has
any idea where we're going
When
you speak the curious names
of ancient
cities and peoples to me
Thyatira
or Samothrace or Ur
as if I
might remember them
as if
they might mean something to me
these names
gone back to music
when
you knowing we cannot
have
them still insist upon
their
presence in the poem
Syriandus
or Scopilius of Tyre
it’s
like we’re children playing marbles
with
gemstones the eyes of fallen angels
cat’s
eyes and the evil eyes of men
all
thrown together to be sorted out
In the
order of the deaths and births
of
verbs and the brief reign of hip-hop
on our
street I remember only cars
slamming
on cars with its birdsong
background
it too evolving and
endearing
itself there are such
thumps
in nature and a bird
that
sounds like a machine
before
the inventor was invented
but we
can picture him or her
in
vivid mental images that provide
a
foretaste of that clairvoyance
for
which we strive to stay alive
Clearly
earth’s the prison planet
where the
disappointed lovers
are
kept like way out in the desert
where
there’s no point to escape
where
they are entertained daily
with historical
films of their lives
acted
beautifully by local actors
I woke
up dreaming what else
what longish
legs the mockingbird
has I
never noticed them before
a
planet full of such brilliant
disclosures
the endless tallying
of
which eagerly misses the point
the
prison planet where thought’s
the
jailer and the lover sans parole