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Old man
still hungry
for the
flesh –
red
pomegranate buds
what is it
about spring
makes you
feel homesick
at home in
your own skin
the world
itself your first
impressionist
painting –
until the
gnats return
‘I’m through
with love’
playing on
the box – distant
sirens and
orange blossoms
strewn on
the sidewalk
as if you
were getting married
to the world
or yourself
The day
before the attack
was a lovely
sunny day
though we
could hear the storm
not far away
somehow we forgot
about it the
sun seemed lovelier
by the hour
we were lost in our work
or power or
playing with the bodies
of others
but the storm was growing
huger by the
hour a small flock
of mourning
doves nesting in the tower
took off
there were signs and wonders
but the night
was even lovelier than the day
the storm
seemed even further away
Among plants
the flower
represents
the soul
that
blissful place between
despair and
vegetation
so thoughts
are seen as green
on this side
of the explanation
and each plant
is just a thought
but can a
thought exist alone
can it rise
above itself
can it float
over Europe
China and
the Americas
can it get
behind blue’s
calm and
consolation
to where its
love inspires
the sun’s compensation
Two old cats
rolling in
the grass
one feline
one human
licking the
dew
from you
pink tongues
our ideas
have ruined us
says the
black and white one
yeah like
that one
our ideas
have saved us
says the
other black and white one
yeah like
this one
together all
this time
just to get
through
to you
Chewing its
way again
around the
world
the snail
moon
the tree’s
shadow
says it’s three
of a lawn
where was I
supposed to be
the last few
hours of sunlight
burnish the
breasts
of resting
finches
slowly the
larger birds
notice the
commotion
refilled
feeder
still
waiting their turn
the tree is
full of birds
the day has
flown
When the
birds are all gone
when you can
still smell the orange blossoms
who will
carry our songs
when the
first green comes on
like the
first wet dreams returning
to the scene
of the crime
when the
only crime is
the idea of
a crime
(then there
are only crimes)
when you can
hear the trees
breathing
their last breaths
holding on to
their dead leaves
for dear
life only then when
it’s too
late to learn
'The truly
moral person is a poet’
but not
every poet is a truly
moral person
perhaps he speaks
of a higher
poetry whose lines
are human
work and actual
words that
rhyme with reality
whatever
that’s imagined to be
implying
true morality is artful
free and
open to the mystery
of the
unknown unknowability
that may yet
speak to us
from some
remote location
deep within
the text
where truth
and time are one
in words’
annihilation
The
mockingbird glares
down at the
dozing cat
spring
enters cautiously
our ancient
migrant life
sleeping
under the star-roof
too bright
to sleep
the cat
knows I’m
no match for
her
it starts to
rain
she takes
advantage
of the rain
to lick
the sunlight
clean
in animals
we see
what we
could have been
if we quit
being everything else
Too few
breaks
in the
clouds to be
completely
happy
tailwinds
going
headwinds coming
back
stay home
today
if you look
or even if
you don’t look
there’s a
haiku in everything
at seventy I
see
everything
lives for
just one day
if the
sparrows return
to the hole
above my door
there’s still
hope for me
My God is a
chuckling God
a weeping
God a passionate
God who goes
about his business
which is
certainly not only us
earth-creatures
buried deep
in his
tympanum like an ache
often lately
I catch him coming
and going
from the pomegranate tree
where he’s
chewed out a hole
in the trunk
for a nest or cave
even if we
were to become every man
woman child
plant and animal
on this
planet and to succeed
it would
still not be enough
then would
the real work begin
that’s how
harsh he is –
I did it now
it’s your turn
but because
I did it
you can see
how it’s done
Where would
we be
without our
anxiety
who else
reminds me
of my
vulnerability
my
insufficiency
happiness is
a drug
best taken
infrequently
unhappy
happiness
hanging on
just a few words
or a few
breaths
so huge the
world
cannot hold
it long
but it comes
and goes
like summer
Give the
seals
a home they
can rely on
they are
social
security
running out
once a
habitat
of cash
melting like
sea ice
let’s make
sure
that happens
that horizon
hell-bent
Luxury
watches
us but time
serves
anyone
secondary or
tertiary
lives of
glamorous
poverty
unseen
style is us
you can see
it
in the way
we kill
if the
carpet isn’t red
before we
come
it is when
we go
It’s no
coincidence hair cut day
is yard
trimming day
I and my garden
are one
indivisible overgrown
mess
but this
morning I tried to imagine
our relationship
after my
consignment
to the compost heap
would it go
on with the same arguments
between chrysanthemums
and hollyhocks
or settle
down with an occasional tomato
a friend has
weeds
growing in
his liver
that will
overthrow his plot
I bring him
a sprig
of orange
blossoms
to inhale as
he goes out
Your
brilliant red tulips
already you
sense some sadness
flowers can
be very emotional
opened as
usual into cups
but could go
no further
slowly they turned
blue
losing none
of their jauntiness
or uprightness
you notice
as they
entered my painting
where they
knew death
would never
completely find them
the only
problem being
holding
their redness against
that blue
bruising almost
overtaking
them
Real life is
coming out from hiding from yourself
but how much
can be revealed of anyone
no one could
quite contain it all
doesn’t it
take the same amount of courage
to oppose
reason as it does to express it
something
further distinguishes
one (Ash)
Wednesday from another
you still
walk home with the mark of Cain
on your
forehead wrecking your anonymity
you still
feel like your life is like
being on
probation for life
like you
just destroyed your perfect
reputation
with yourself
indulged
your weakness for attention
felt the
moment life entered you
and your
death running to meet it
We are
creatures of the sun and sea
carried far
from our native homes
slaves to
our lives and daily dreams
at last to
return to this lovely beach
to swim and
lie in this angle of sun
not because
we think heaven will
in any recognizable
way resemble
this escape
this respite from the work
of living in
this worrisome world
but just to rest
in the sand and recall
the fun and
terror of younger days
what were
they for if we could
forget them
here where the blue
is blue again
and the green is just
being born
and the yellow
forever goes
on and on
What piece
of furniture
what human
body
is still in
good condition
after a
hundred years
the
furniture is just a skeleton
from a once
vast forest
the human
body is just a skeleton
from a once
vast star-field
take this
French oak wardrobe
from the
early 1800’s I like
to think
Pascal traveling to Paris
once noticed the fine tree it was
stripped of
its leaves and
shivering in
the February sun
now its
shelves and three doors
house a big
screen television
The really
important marriage
no one ever
talks about in public
the one
between the heart
and the head
where divorce
is the real
death for both
and yet they’re
always arguing
insecure
fundamentally often
disrespectful
of one another
rather than
admitting
neither
knows what’s really
going on but
I thought
you knew and
now what
the hell
will we will to do
but learn to
live with you
Four birds
high up in the blue
going round
and round
on the
thermals of love
which the
earth gives off
on this one
day dedicated
to love they
are arguing
about which
direction
love should
take in our time
which if you
believe in
the body can
only grow
more
desperately in love
with itself
and the soul
more and
more convinced
when you
love one person
you love the
whole world
I keep
trying to get
back to
reality somehow
as if I
would know
him if I saw
him how he’s
changed and
actually
gotten
younger I saw
that
immediately he
was still
hurt I had
betrayed him
laughed in
his face
time and
again
but what was
I to do
he just kept
coming
and coming
at me
in the end I
had to
defend
myself and only
one of us
could win
I know a
little
about the
inside
he knows a little
about the
outside
we are both
half-
blind or
like the builder
and the one who
hands
him the
bricks
or like
lovers who
recognize
the inspiration
of
opposition but what
does Mt.
Athos want
to look in to
the Christ
of the past
or outside
to the
Christ of the future
only the
inside
could ask
such a question
only the
outside
could answer
Already now
at seventy
it’s finally
time to wake up
admit you
lied throughout your
childhood to
protect yourself
and through
your twenties stole
your
feelings from people around
you exiling
yourself to a small
wooded area
for your thirties
still
unclear what the body’s for
and the
child a victim of love
at last
entering the adolescence
of your
fifties on the street
of the
second wife pissing
the
lost-found years of your sixties
recovering
and not recovering
even unto
your seventieth year
finally
finally time to wake up
If I could
go
from this
small yard
to that far
star
as I can in
one
great leap
over dis-
belief
lifting rocket-
like from
the common
ground of
sense
into its
rays of light
stand in
their midst
and look
back here
from there
would I
see the
mechanism
clearer
would I hear
the wheels
churning
of consciousness
In a way you
could say
being spiritual
wasn’t enough
for us we
wanted our freedom too
we wanted to
be alone
with our own
personal lives
our own
peculiarities and
delusional
systems inch by inch
feeling our
way through
the
labyrinth of matter
what if
these bodies are just
provisional
sketches rough
drafts of
fragmentary figures
for a
beautiful future return
when we’ve
learned to live together
in one body and
one mind again
The day we are born
is cause for mourning school
of ontological oncology
so lyrically
sung by Leopardi
and so ably
taken up by
Baudelaire
and Poe
Rimbaud and
Beckett
that whole
splenetic stream
of soaring
music’s sorrowing dream
seems to me
now such an overreaction
to the
simple clarity of Novalis
whose
thoughts open like flames
eating away
the material world’s
thick
overlay of spirit light
I imagine
the great thinkers
in
conversation with one another
over the
centuries in the mystery
schools of
intense emotions
but in his sun-lit
words I feel
a healing
magic at work still
By humanizing
the gods too much
by dragging
them down to our level
we wound up
losing faith in them
and
eventually in existence itself
since they
are the same thing
or nothing
in the end and though
we believe
in the elegance
of a simple
theory for everything
the idea
that things seen
originate in
things unseen
still seems
too easy a thought
to follow
far but if we exclude
from the
outset half the indications
of light how
will we ever get to
some real
seeing after all
What do you
want
to do with
the time
you have
left isn’t that
always
the question
I want to
pick
a few oranges
and drink
their
juice I want
to
clear that
corner
and plant
something
new that
climbs
like crazy
with
bloom when
you
first step
out
it amazes
everyone
who sees it
In the
perfect song
there is a
ship
with a king
and
a queen your
two eyes
sitting
at the helm
looking out
over
all of time
while the
sails
your soul
close-hauled
against God
the bright
wind
refusing all
harbors
heads out
into
the open sea
of the last
afternoon
with its
cargo
of sorrow
and love
Aren’t you
too really sick and tired
of the
confused and silly arguments
between science
and religion
over the
last one thousand years
when religion
isn’t about making
the world
better but making
yourself
better owning your
own
imperfections your own
unwillingness
to love
which is why
there are no
true
religions anymore only
social
groups posing as religions
like
material science pretending
it has all
the answers as if
belief in a
method that is
always
proving itself wrong
in some
important matter
isn’t a
religion save me save me
a true
religion is scientific
and values
knowledge
as much as
faith
and a true
science stays
open to the
numinous
and the
imponderable
and the
human as humorous
now can I please
have an amen