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I garden
because
I can’t
paint
but love colors
I paint
because
I can’t
write
but love words
I write
because
I can’t
garden
but love hoeing
it’s all for
the viridian I need
like an
extension
of my sense
of a past
present
and possible
self
along with
those magenta
clouds of
the first
light of
morning
come to save
my life
Slowly the
weight of heaven
hammers us
back into the earth
the mineral
world absconds
with the
soul dragged down
felt but not
seen where
the cold is
coming from
OK it’s just
winter guys
I have a
plan to fix the future
which I will
share with you
when you
wish to become whole
the plant
says to us humans
they don’t
understand what’s
keeping us
from becoming like them
creatures of
light and strength
savants of
the sun
The heart’s
religion
is a fantasy
at first
a holy
imaginary vision
soon
corrupted by the earth
but for this
love
it steps
down into
darkness and
fear
lives alone
on the other
side of
sentences with trees
friendly
with the oppressed
and with the
oppressor
swinging
both ways
the heart’s
science
is a mere
theorem at first
until it
becomes the heart’s art
What’s it
like out there
at the edge
of the known senses
to be
welcomed in warmly
or to be
coldly turned away
until we
become convicted of matter
when nothing
could be less real
we start to
clutch at things
and make
stuff up losing
all sincerity
for sincerity or calm
but out
there only one soul
is shared by
many bodies
passing over
the endless sand
and every
night we go there
to be
welcomed warmly
or coldly
turned around
A
connoisseur of days
as against a
mere critic
or art
historian or buyer
with a good
eye for bargains
is an
enthusiast without getting
fanatical or
over the top
about the
gemstones that slide
through his
fingers the still
mornings
that should never
have been
refinished cleaned
of their
original luster
and value
their signatures
blurred
their dates erased
so taken is
he by that one night
rediscovered hiding in the light
As if I was
sticking around
I keep
accumulating things
but who
doesn’t want
a flashlight
or a bracelet
it’s all a
symbolic gesture
like a
pharaoh’s preparations
for the real
life after
when awake
on the other side
we know and
feel and act
but cannot
see or touch
except
through things left behind
drawers of
clothes or old tools
for working
in the garden
or a
solitary mind
What draws
us to the ocean
I recognized
when I read
about Lucius
falling asleep
on the beach
under the first
full moon of
spring
this was millennia
ago
and in his
tearful dream
the goddess
Isis the darkness
with the sun
on her forehead
crowned with
nameless flowers
and snakes
appeared to him
out of the
sea the eternal
feminine
with specific instructions
about how to
eat the roses
and stay
committed to me
You too are
a language
I have
learned to utter
haltingly
and with a heavy
accent once
you were just
a diphthong
stranded on
the tip of
my tongue where I
could taste
traces of pine
and
blackberry and murkier
parentage
possibly myrrh
notes now in
the rush
of music
sounds meaningless
all the
words are eaten
they say the
thing
you’ve been
running
from is
death
The world
can put a hole
in your
happiness daily
though you
sway in your hammock
and smell
like a daisy
how you’re
almost completely crazy
but just enough
to show it
as a feature
not a slug
while the
pain goes on politely
a shark circling
the surface
the world
can slip a joke
into your
mortification lately
though it’s
cumbersome to feel adrift
it all seems
so cleverly arranged
timely and
apt
at least it
has you rapt
The
culminating and climactic movement
of the
oratorio of your gaze
indelibly written
on the air and waves
the diamond
path of the sun on the snow
arrives at
last here in the future
nothing more
than what we willed
out of our
old distracted thoughts
most of
which remain submerged
like the
huge dissatisfaction
all of us
feel for our physical selves
the
fallibility and disobedience
even to our
pitiful pleading
this still
unhappy marriage
of the
spirit and the flesh
for whom
divorce is death
Only a lined
page
offers so
many lost horizons
words rise
out of the wonder
and we who
are all happy
and unhappy
with ourselves
venture out
into the waves
of words and
get tossed back
to the sandy
silence of the shore
we have
waves and waves to say
slowly
moving the continents around
while all we
really want is rest
not to move
at all for a day or two
in some
unspeakably blue bay
but what
could be more improbable
than nothing
left to say
So you have
to leave the world
with its
freight trains packed with prisoners
with its dizzying
staircases of lies and inaccuracies
stumbling and
falling several flights on your own
as your
stomach turns to stone
you have to
leave the world alone
and just
when you started to love it
for trying
so hard to ignore you
and yet
shower you with so much
beauty and
sorrow you felt
perceived
and held at times
by a
comprehension wider fuller
deeper than
the world
you leave
could own
I look
forward to your call
I look out
the window meanwhile
I go for a
walk and pick up
a few things
for supper
I write
lists of things
that could
have happened
but didn’t
both the costs
and the
benefits
I write
lists of things
to do and
cross them off
as I get
them done
usually they’re
so much
easier that I
imagined
when I felt
overwhelmed
just writing
them all down
Someone has
crudely drawn
a white line
across the sky
meaning no
sky entrance today
meaning the
sky though blue
a feral
radiant spotless blue
is closed
for repairs today
or for some
undisclosed feast-day
of the gods
or their cloud-equivalents
because
they’ve all gone
into the
purely spiritual world
which
surrounds the earth
like a skin
or the integument
of a seed or
like a sign nailed
to heaven’s gate O man
keep out all
ye who hate
The little
tree fills with clamor
I don’t see
the tree
I see its whole shadow
and
the shadows
of the birds
moving about
the empty branches
ascending
and descending
red finches
and brown sparrows
two or three
at a time
taking turns
at the hanging feeder
recently
stocked with seeds
the cat and
I sit watching
flicking our
tails and listening
to the small
bells almost ringing
when the
breeze gallops by
and the
little tree explodes
On the other
side of the colors
as when
crossing any bridge
at the
velocity of a hearse
or if you’ve
practiced
with the
grace of a gull
and let’s
say you make it across
though the
bridge tremble
under the
weight of your trauma
and the
heart flutter
remembering
its old life
but you want
to stop there
in the
middle of the bridge
hanging in
the air with the gulls
here where
they come together
the two
halves of your love
Fish
skeleton clouds
lined paperwork
what poems
are written there
what human
faces appear
and
disappear always around us
trying to
get a message through
trying to
start a revolution
but we aren’t
paying any attention
vaguer than
the corner beggar
to those who
believe in death
to those who
believe in the body
to those who
have put a stop
to thinking
or haven’t started yet
to those who
await the second coming
when they
haven’t comprehended the first
Doesn’t the
devil have good taste
or is the
very idea devilish
the way
fashions prove the fact
we all want
to look like one another
and the
smell of new things
so we drove
out to the hot springs
to soak
naked in some mineral sense
in a tub
perched above a small pond
accessorized
with one blue-chevroned
duck a
female alone but as we gazed
bracelets of
bright fish gleamed up at us
and the jade
cabochon of a turtle’s head
who would have
dreamed
paradise
could be so funky
and then two
mourning doves
dropped down
to drink
until out of
nowhere
the duck
attacked them
and back
they fled to the branches above
there goes
your paradise you said
why did the
duck refuse them
after a
pause you wanted to know
because he’s
deeply immoral I said
which was
why we showed up
to put our
paradise in order
but so far
it hasn’t been working out
our last
fight will be over water rights
and many
will die of thirst no doubt
Isn’t it
mostly better
to decide on
the side
of mercy
haven’t we
gotten that
much
crystal yet
maybe
half of us
have and
the other
half the cold
intellectual
rule-bound
half hasn’t
which explains
its
faithless resort
to power and
knowledge
when it
comes time
to solve
human problems
the heart is
still the step-child
sent out to
live in the streets
King Arthur and
Sir Lancelot
look like
they’re about to kiss
but just in time
Arthur dies
in his arms
I mean by his sword
fifties films
resemble the middle ages
in the minds
of current Westerners
but at one
time the movies had the kind
of hold on
the American imagination
that
mythology in its last days
had upon the
old Greeks and Romans
my heart is
too sick to pray
the cup the
cup the end
but if you
were ever ten then
on Saturdays
you sat enthralled
at a round
table and killed men
Suddenly the
cat
runs straight
into
the brick
wall
like a
knock-out
punch it wobbles
right over
to you
dies in your
lap
the phone is
ringing
you notice a
cloud
in the
corner like
God winking
I
can do
things
like that
the machine
takes a
message
but when you
check
there’s
nothing there
the cat
requests
cremation
“ ‘Did you
see the one whose corpse
was left
lying on the plain?’ ‘I saw him.
His shade is
not at rest in the Netherworld.’ ”
Gilgamesh
Sit sit sit
sit sit
yellow is
just around the corner
but for now
violet gleams
to be the
one who watched
the door
close to the other
world is the
earth the gods’
Guantanamo
Bay I ask you
but to
return in the morning
the lost
shepherd of your dreams
having
visited with your friends
the concepts
of the Concept King
and then
unceremoniously
dumped back
into matter
waking in
the same prison
in which you
fell asleep
what passes
now for vision
what echoes
from the deep
Eventually
out of
empathy
we come to
resemble
our
surroundings
it’s a
family friendly
resemblance
of one
succulent
admitting
another
eventually
into familiarity
into its
cactus arms
but who does
not aspire
to become a
saguaro
in old age
with holes
carved out
like wounds
nests for
the next life
Do you hear
as I
often do
these days
and nights a
neighbor
or someone
suddenly
scream or
shout out
in rage or
loudly
curse across
the way
or down the
street
just once or
twice
then silence
and
the world
resumes
its tangent
to love
but those
cries
float for me
like dead
flowers in
the space
winter
leaves for them
while down
below
in the
crystalline ground
the seeds
are overcoming
death
without a sound
If you don’t
mind
I say to
myself
or one of my
selves
if you don’t
say
I say to
myself
or some of
my selves
if you don’t
heart
I say to
myself
or all of my
selves
then what’s
the point
how could
under these
extraordinary
conditions
the ongoing
miracles
that sustain
and grow
our universe
our lives
could there
be any
possibility
of failure
to complete
our mission
as a species
as gods
except by
our own
misguided
choices now
the price of
freedom
is love
In the late
19th century
poetry
started to think
about itself
and this has been
a problem
ever since
we’re not
going to correct anything
when seeking
to find out what
has not been
noticed it’s not
a
competition but a chorus
of competing
sonorities false notes
not excluded
though at first
they glow
like the real tremolo
we work at
language’s behest
not unlike
the rowers of triremes
singing
pyramids up into thin air
painting the
curlicues around reality
casting the
butterfly in blue bronze
There are
gods and more gods
but only one
who is good
which for a
man alone
is
impossible even for
a woman it
is difficult
though she
comes to it
more
naturally carefully
because all
women are beautiful
even barren
they bring
life into
the world while
only one man
could do that
most of the
rest blame it
on their
weakness for
the beauty
of the body
which for
them is like a stone
sinking to
the bottom of the sea
while she floats
eternally
above it all
alone
What we must
learn to love
about one
another is not the body
don’t stop
there and not even the soul
with its
frantic parade of joys and wars
both of
which have finally
a purely
preliminary function
like an
introduction or a prelude
a
scaffolding or a preamble
to what we
must come to recognize
and love
about one another
which turns
strangely out to be
the most
hidden part of us
only visible
to the most
hidden part
of someone else
the eternal
spirit of each one
which in
these fogged-up days
seems the
most out of reach
The
discourse of my country
saddens-frightens
me the way
I felt as a
child when my mother
would say
some awful racist thing
or call some
foreigner a name
I would feel
the pain even as a child
I knew it
wasn’t right yet she
was a kind
person and warm-hearted
and now my
whole country
confuses and
embarrasses me
with the
sting of its hatred still there
yet is it
not a good country
smiling and
generous and fair
until it
opens its mouth
and spits
out some ugly fear
I don’t go
to the ghetto
except when
I go inside
where I still
hear an echo
of someone I’m
trying to hide
she’s agreed
to give it up
she’s agreed
to give it up
for love for
love for love
never
thought I’d make it back
but that’s
what happens
when you die
die die
you get to retro
every track
unselfing
every self and lie
and then you
fly fly fly
What is it
you feel
driving through
the city’s
pokey mid-morning
streets
dark
enormous clouds
pursuing us
above
like the
Persian fleet
approaching
Salamis
or the great
mysteries
before they
entered
Schelling’s
brain
you must read
him again
but here you
are in
Phoenix and
it’s raining
and you’re
stuck behind
some sleep-driving
landscaper
and your
soul has lost its mind